
вторник, 23 июля 2013
the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.
❝ To fall in love is to create a religion that has a fallible god. ❞
- Jorge Luis Borges, Other Inquisitions
- Jorge Luis Borges, Other Inquisitions
the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

понедельник, 22 июля 2013
the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.
❝
Every story of investigation of conjecture tells us something that we have always been close to knowing (pseudo-Heideggerian reference). At this point it is clear why my central story ramifies into so many, other stories, all stories of other conjectures, all linked with the structure of conjecture as such.
An abstract model of conjecturality is the labyrinth. But there are three kinds of labyrinth. One is the Greek, the labyrinth of Theseus. This kind does not allow anyone to get lost: you go in, arrive at the center, and then from the center you reach the exit. This is why in the center there is the Minotaur; if he were not there the story would have no zest, it would be a mere stroll. Terror is born, if it is born, from the fact that you do not know where you will arrive or what the Minotaur will do. But if you unravel the classical labyrinth, you find a thread in your hand, the thread of Ariadne. The classical labyrinth is the Ariadne’s-thread of itself.
Then there is the mannerist maze: if you unravel it, you find in your hands a kind of tree, a structure with roots, with many blind alleys. There is only one exit, but you can get it wrong. You need an Ariadne’s-thread to keep from getting lost. This labyrinth is a model of the trial-and-error process.
And finally there is the net, or rather, what Deleuze and Guattari call “rhizome.” The rhizome is so constructed that every path connected with every other one. It has no center, no periphery, no exit, because it is potentially infinite. The space of conjecture is a rhizome space. … The world in which William realizes he is living already has a rhizome structure: that is, it can be structured but it is never structured definitively.
❞
- Umberto Eco, postscript to The Name of the Rose
Every story of investigation of conjecture tells us something that we have always been close to knowing (pseudo-Heideggerian reference). At this point it is clear why my central story ramifies into so many, other stories, all stories of other conjectures, all linked with the structure of conjecture as such.
An abstract model of conjecturality is the labyrinth. But there are three kinds of labyrinth. One is the Greek, the labyrinth of Theseus. This kind does not allow anyone to get lost: you go in, arrive at the center, and then from the center you reach the exit. This is why in the center there is the Minotaur; if he were not there the story would have no zest, it would be a mere stroll. Terror is born, if it is born, from the fact that you do not know where you will arrive or what the Minotaur will do. But if you unravel the classical labyrinth, you find a thread in your hand, the thread of Ariadne. The classical labyrinth is the Ariadne’s-thread of itself.
Then there is the mannerist maze: if you unravel it, you find in your hands a kind of tree, a structure with roots, with many blind alleys. There is only one exit, but you can get it wrong. You need an Ariadne’s-thread to keep from getting lost. This labyrinth is a model of the trial-and-error process.
And finally there is the net, or rather, what Deleuze and Guattari call “rhizome.” The rhizome is so constructed that every path connected with every other one. It has no center, no periphery, no exit, because it is potentially infinite. The space of conjecture is a rhizome space. … The world in which William realizes he is living already has a rhizome structure: that is, it can be structured but it is never structured definitively.
❞
- Umberto Eco, postscript to The Name of the Rose
the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.
“Fairy tales do not tell children the dragons exist. Children already know that dragons exist.
Fairy tales tell children the dragons can be killed.”
― G.K. Chesterton
Fairy tales tell children the dragons can be killed.”
― G.K. Chesterton
the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.

the anti-heroine of an era of bathtub gin, organized crime, and jazz, clouded in the smoke of fired guns and cigarettes.
